1 Yozshulmaran

Mark Twains Childhood Experiences Essays

Despite the fact that it is the most taught novel and most taught work of American literature in American schools from junior high to graduate school, Huckleberry Finn remains a hard book to read and a hard book to teach. The difficulty is caused by two distinct but related problems. First, one must understand how Socratic irony works if the novel is to make any sense at all; most students don't. Secondly, one must be able to place the novel in a larger historical and literary context -- one that includes the history of American racism and the literary productions of African-American writers -- if the book is to be read as anything more than a sequel to The Adventures of Tom Sawyer (which it both is and is not); most students can't. These two problems pose real obstacles for teachers. Are they surmountable? Under some circumstances, yes. Under others, perhaps not. I think under most circumstances, however, they are obstacles you can deal with.

It is impossible to read Huck Finn intelligently without understanding that Mark Twain's consciousness and awareness is larger than that of any of the characters in the novel, including Huck. Indeed, part of what makes the book so effective is the fact that Huck is too innocent and ignorant to understand what's wrong with his society and what's right about his own transgressive behavior. Twain, on the other hand, knows the score. One must be skeptical about most of what Huck says in order to hear what Twain is saying. In a 1991 interview, Ralph Ellison suggested that critics who condemn Twain for the portrait of Jim that we get in the book forget that "one also has to look at the teller of the tale, and realize that you are getting a black man, an adult, seen through the condescending eyes -- partially -- of a young white boy." Are you saying, I asked Ellison, "that those critics are making the same old mistake of confusing the narrator with the author? That they're saying that Twain saw him that way rather than that Huck did?" "Yes," was Ellison's answer.

Clemens as a child accepted without question, as Huck did, the idea that slaves were property; neither wanted to be called a "low-down Abolitionist" if he could possibly help it. Between the time of that Hannibal childhood and adolescence, however, and the years in which Twain wrote Huckleberry Finn, Twain's consciousness changed. By 1885, when the book was published, Samuel Clemens held views that were very different from those he ascribed to Huck. It might be helpful at this point to chart for your students the growth of the author's developing moral awareness on the subject of race and racism -- starting with some of his writings on the persecution of the Chinese in San Francisco (such as Disgraceful Persecution of a Boy), then moving through his marriage into an abolitionist family, the 1869 anti-lynching editorial that he published in The Buffalo Express entitled Only a Nigger, and his exposure to figures like Frederick Douglass and his father-in-law, Jervis Langdon.

By the time he wrote Huckleberry Finn, Samuel Clemens had come to believe not only that slavery was a horrendous wrong, but that white Americans owed black Americans some form of "reparations" for it. One graphic way to demonstrate this fact to your students is to share with them the letter Twain wrote to the Dean of the Yale Law School in 1885, in which he explained why he wanted to pay the expenses of Warner McGuinn, one of the first black law students at Yale. "We have ground the manhood out of them," Twain wrote Dean Wayland on Christmas Eve, 1885, "and the shame is ours, not theirs, & we should pay for it."

Ask your students: why does a writer who holds these views create a narrator who is too innocent and ignorant to challenge the topsy-turvy moral universe that surrounds him? "All right, then, I'll go to Hell," Huck says when he decides not to return Jim to slavery. Samuel Clemens might be convinced that slavery itself and its legacy are filled with shame, but Huck is convinced that his reward for defying the moral norms of his society will be eternal damnation.

Something new happened in Huck Finn that had never happened in American literature before. It was a book, as many critics have observed, that served as a Declaration of Independence from the genteel English novel tradition. Huckleberry Finn allowed a different kind of writing to happen: a clean, crisp, no-nonsense, earthy vernacular kind of writing that jumped off the printed page with unprecedented immediacy and energy; it was a book that talked. Huck's voice, combined with Twain's satiric genius, changed the shape of fiction in America, and African-American voices had a great deal to do with making it what it was. Expose your students to the work of some of Twain's African-American contemporaries, such as Frederick Douglass, Charles Chesnutt, and Paul Laurence Dunbar. Those voices can greatly enrich students' understanding of both the issues Huckleberry Finn raises and the vernacular style in which it raises them.

If W.E.B. Du Bois was right that the problem of the twentieth century is the color line, one would never know it from the average secondary-school syllabus, which often avoids issues of race almost completely. Like a Trojan horse, however, Huck Finn can slip into the American literature classroom as a "classic," only to engulf students in heated debates about prejudice and racism, conformity, autonomy, authority, slavery and freedom. It is a book that puts on the table the very questions the culture so often tries to bury, a book that opens out into the complex history that shaped it -- the history of the ante-bellum era in which the story is set, and the history of the post-war period in which the book was written -- and it requires us to address that history as well. Much of that history is painful. Indeed, it is to avoid confronting the raw pain of that history that black parents sometimes mobilize to ban the novel. Brushing history aside, however, is no solution to the larger challenge of dealing with its legacy. Neither is placing the task of dealing with it on one book.

We continue to live, as a nation, in the shadow of racism while being simultaneously committed, on paper, to principles of equality. As Ralph Ellison observed in our interview, it is this irony at the core of the American experience that Mark Twain forces us to confront head-on.

History as it is taught in the history classroom is often denatured and dry. You can keep your distance from it if you choose. Slaveholding was evil. Injustice was the law of the land. History books teach that. But they don't require you to look the perpetrators of that evil in the eye and find yourself looking at a kind, gentle, good-hearted Aunt Sally. They don't make you understand that it was not the villains who made the system work, but the ordinary folks, the good folks, the folks, who did nothing more than fail to question the set of circumstances that surrounded them, who failed to judge that evil as evil and who deluded themselves into thinking they were doing good, earning safe passage for themselves into heaven.

When accomplished fiction writers expose the all-too-human betrayals that well-meaning human beings perpetrate in the name of business-as-usual, they disrupt the ordered rationalizations that insulate the heart from pain. Novelists, like surgeons, cut straight to the heart. But unlike surgeons, they don't sew up the wound. They leave it open to heal or fester, depending on the septic level of the reader's own environment.

Irony, history, and racism all painfully intertwine in our past and present, and they all come together in Huck Finn. Because racism is endemic to our society, a book like Huck Finn, which brings the problem to the surface, can explode like a hand grenade in a literature classroom accustomed to the likes of Macbeth or Great Expectations -- works which exist at a safe remove from the lunchroom or the playground. If we lived in a world in which racism had been eliminated generations before, teaching Huck Finn would be a piece of cake. Unfortunately that's not the world we live in. The difficulties we have teaching this book reflect the difficulties we continue to confront in our classrooms and our nation. As educators, it is incumbent upon us to teach our students to decode irony, to understand history, and to be repulsed by racism and bigotry wherever they find it. But this is the task of a lifetime. It's unfair to force one novel to bear the burden -- alone -- of addressing these issues and solving these problems. But Huck Finn -- and you -- can make a difference.

Next: Film Index

For other uses, see Mark Twain (disambiguation).

Mark Twain

Portrait by Mathew Brady, February 1871

BornSamuel Langhorne Clemens
(1835-11-30)November 30, 1835
Florida, Missouri, U.S.
DiedApril 21, 1910(1910-04-21) (aged 74)
Redding, Connecticut, U.S.
Resting placeWoodlawn Cemetery, Elmira, New York, U.S.
Pen nameMark Twain, Josh, Thomas Jefferson Snodgrass
OccupationWriter, humorist, entrepreneur, publisher, lecturer
Notable worksAdventures of Huckleberry Finn
The Adventures of Tom Sawyer
SpouseOlivia Langdon Clemens (m. 1870; d. 1904)
ChildrenLangdon, Susy, Clara and Jean
RelativesJohn Marshall Clemens (father)
Orion Clemens (brother)

Signature

Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910),[1] better known by his pen nameMark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer. Among his novels are The Adventures of Tom Sawyer (1876) and its sequel, the Adventures of Huckleberry Finn (1885),[2] the latter often called "The Great American Novel".

Twain was raised in Hannibal, Missouri, which later provided the setting for Tom Sawyer and Huckleberry Finn. He served an apprenticeship with a printer and then worked as a typesetter, contributing articles to the newspaper of his older brother Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his lack of success at mining, turning to journalism for the Virginia CityTerritorial Enterprise.[3] His humorous story, "The Celebrated Jumping Frog of Calaveras County", was published in 1865, based on a story that he heard at Angels Hotel in Angels Camp, California where he had spent some time as a miner. The short story brought international attention and was even translated into French.[4] His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.

Twain earned a great deal of money from his writings and lectures, but he invested in ventures that lost most of it—notably the Paige Compositor, a mechanical typesetter that failed because of its complexity and imprecision. He filed for bankruptcy in the wake of these financial setbacks, but he eventually overcame his financial troubles with the help of Henry Huttleston Rogers. He chose to pay all his pre-bankruptcy creditors in full, even after he had no legal responsibility to do so.

Twain was born shortly after an appearance of Halley's Comet, and he predicted that he would "go out with it" as well; he died the day after the comet returned. He was lauded as the "greatest humorist this country has produced",[5] and William Faulkner called him "the father of American literature".[6]

Biography

Early life

Mark Twain was born Samuel Langhorne Clemens on November 30, 1835, in Florida, Missouri, the sixth of seven children born to Jane (née Lampton; 1803–1890), a native of Kentucky, and John Marshall Clemens (1798–1847), a native of Virginia. His parents met when his father moved to Missouri, and they were married in 1823.[7][8] Twain was of Cornish, English, and Scots-Irish descent.[9][10][11][12] Only three of his siblings survived childhood: Orion (1825–1897), Henry (1838–1858), and Pamela (1827–1904). His sister Margaret (1830–1839) died when Twain was three, and his brother Benjamin (1832–1842) died three years later. His brother Pleasant Hannibal (1828) died at three weeks of age.[13][14]

When he was four, Twain's family moved to Hannibal, Missouri,[15] a port town on the Mississippi River that inspired the fictional town of St. Petersburg in The Adventures of Tom Sawyer and the Adventures of Huckleberry Finn.[16] Slavery was legal in Missouri at the time, and it became a theme in these writings. His father was an attorney and judge, who died of pneumonia in 1847, when Twain was 11.[17] The next year, Twain left school after the fifth grade to become a printer's apprentice.[1] In 1851 he began working as a typesetter, contributing articles and humorous sketches to the Hannibal Journal, a newspaper that Orion owned. When he was 18, he left Hannibal and worked as a printer in New York City, Philadelphia, St. Louis, and Cincinnati, joining the newly formed International Typographical Union, the printers trade union. He educated himself in public libraries in the evenings, finding wider information than at a conventional school.[18]

Twain describes his boyhood in Life on the Mississippi, stating that "there was but one permanent ambition" among his comrades: to be a steamboatman.

Pilot was the grandest position of all. The pilot, even in those days of trivial wages, had a princely salary – from a hundred and fifty to two hundred and fifty dollars a month, and no board to pay.

As Twain describes it, the pilot's prestige exceeded that of the captain. The pilot had to:

…get up a warm personal acquaintanceship with every old snag and one-limbed cottonwood and every obscure wood pile that ornaments the banks of this river for twelve hundred miles; and more than that, must… actually know where these things are in the dark

Steamboat pilot Horace E. Bixby took Twain on as a cub pilot to teach him the river between New Orleans and St. Louis for $500, payable out of Twain's first wages after graduating. Twain studied the Mississippi, learning its landmarks, how to navigate its currents effectively, and how to read the river and its constantly shifting channels, reefs, submerged snags, and rocks that would "tear the life out of the strongest vessel that ever floated".[19] It was more than two years before he received his pilot's license. Piloting also gave him his pen name from "mark twain", the leadsman's cry for a measured river depth of two fathoms (12 feet), which was safe water for a steamboat.[20]

While training, Samuel convinced his younger brother Henry to work with him. Henry was killed on June 21, 1858, when their steamboat Pennsylvania exploded. Twain claimed to have foreseen this death in a dream a month earlier,[21]:275 which inspired his interest in parapsychology; he was an early member of the Society for Psychical Research.[22] Twain was guilt-stricken and held himself responsible for the rest of his life. He continued to work on the river and was a river pilot until the Civil War broke out in 1861, when traffic was curtailed along the Mississippi River. At the start of hostilities, he enlisted briefly in a local Confederate unit. He later wrote the sketch "The Private History of a Campaign That Failed", describing how he and his friends had been Confederate volunteers for two weeks before disbanding.[23]

He then left for Nevada to work for Orion, who was Secretary of the Nevada Territory. Twain describes the episode in his book Roughing It.[24][25]:147

Travels

Orion became secretary to Nevada Territory governor James W. Nye in 1861, and Twain joined him when he moved west. The brothers traveled more than two weeks on a stagecoach across the Great Plains and the Rocky Mountains, visiting the Mormon community in Salt Lake City.

Twain's journey ended in the silver-mining town of Virginia City, Nevada, where he became a miner on the Comstock Lode.[23] He failed as a miner and went to work at the Virginia City newspaper Territorial Enterprise,[26] working under a friend, the writer Dan DeQuille. He first used his pen name here on February 3, 1863, when he wrote a humorous travel account entitled "Letter From Carson – re: Joe Goodman; party at Gov. Johnson's; music" and signed it "Mark Twain".[27][28]

His experiences in the American West inspired Roughing It, written during 1870–71 and published in 1872. His experiences in Angels Camp (in Calaveras County, California) provided material for "The Celebrated Jumping Frog of Calaveras County" (1865).

Twain moved to San Francisco in 1864, still as a journalist, and met writers such as Bret Harte and Artemus Ward. He may have been romantically involved with the poet Ina Coolbrith.[29]

His first success as a writer came when his humorous tall tale "The Celebrated Jumping Frog of Calaveras County" was published on November 18, 1865, in the New York weekly The Saturday Press, bringing him national attention. A year later, he traveled to the Sandwich Islands (present day Hawaii) as a reporter for the Sacramento Union. His letters to the Union were popular and became the basis for his first lectures.[30]

In 1867, a local newspaper funded his trip to the Mediterranean aboard the Quaker City, including a tour of Europe and the Middle East. He wrote a collection of travel letters which were later compiled as The Innocents Abroad (1869). It was on this trip that he met fellow passenger Charles Langdon, who showed him a picture of his sister Olivia. Twain later claimed to have fallen in love at first sight.[31]

Upon returning to the United States, Twain was offered honorary membership in Yale University's secret society Scroll and Key in 1868.[32] Its devotion to "fellowship, moral and literary self-improvement, and charity" suited him well.

Marriage and children

Twain and Olivia Langdon corresponded throughout 1868. She rejected his first marriage proposal, but they were married in Elmira, New York in February 1870,[30] where he courted her and managed to overcome her father's initial reluctance.[33] She came from a "wealthy but liberal family"; through her, he met abolitionists, "socialists, principled atheists and activists for women's rights and social equality", including Harriet Beecher Stowe (his next-door neighbor in Hartford, Connecticut), Frederick Douglass, and writer and utopian socialistWilliam Dean Howells,[34] who became a long-time friend. The couple lived in Buffalo, New York, from 1869 to 1871. He owned a stake in the Buffalo Express newspaper and worked as an editor and writer. While they were living in Buffalo, their son Langdon died of diphtheria at the age of 19 months. They had three daughters: Susy (1872–1896), Clara (1874–1962),[35] and Jean (1880–1909).

Twain moved his family to Hartford, Connecticut, where he arranged the building of a home starting in 1873. In the 1870s and 1880s, the family summered at Quarry Farm in Elmira, the home of Olivia's sister, Susan Crane.[36][37] In 1874,[36] Susan had a study built apart from the main house so that Twain would have a quiet place in which to write. Also, he smoked cigars constantly, and Susan did not want him to do so in her house.

Twain wrote many of his classic novels during his 17 years in Hartford (1874–1891) and over 20 summers at Quarry Farm. They include The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1881), Life on the Mississippi (1883), Adventures of Huckleberry Finn (1885), and A Connecticut Yankee in King Arthur's Court (1889).[citation needed]

The couple's marriage lasted 34 years until Olivia's death in 1904. All of the Clemens family are buried in Elmira's Woodlawn Cemetery.

Love of science and technology

Twain was fascinated with science and scientific inquiry. He developed a close and lasting friendship with Nikola Tesla, and the two spent much time together in Tesla's laboratory.

Twain patented three inventions, including an "Improvement in Adjustable and Detachable Straps for Garments" (to replace suspenders) and a history trivia game.[38][39] Most commercially successful was a self-pasting scrapbook; a dried adhesive on the pages needed only to be moistened before use.[38] Over 25,000 were sold.[38]

Twain's novel A Connecticut Yankee in King Arthur's Court (1889) features a time traveler from the contemporary U.S., using his knowledge of science to introduce modern technology to Arthurian England. This type of storyline became a common feature of the science fiction subgenre alternate history.

In 1909, Thomas Edison visited Twain at his home in Redding, Connecticut and filmed him. Part of the footage was used in The Prince and the Pauper (1909), a two-reel short film. It is said to be the only known existing film footage of Twain.[40]

Financial troubles

Twain made a substantial amount of money through his writing, but he lost a great deal through investments. He invested mostly in new inventions and technology, particularly in the Paige typesetting machine. It was a beautifully engineered mechanical marvel that amazed viewers when it worked, but it was prone to breakdowns. Twain spent $300,000 (equal to $8,000,000 in inflation-adjusted terms [41]) on it between 1880 and 1894,[42] but before it could be perfected it was rendered obsolete by the Linotype. He lost the bulk of his book profits, as well as a substantial portion of his wife's inheritance.[43]

Twain also lost money through his publishing house of Charles L. Webster and Company, which enjoyed initial success selling the memoirs of Ulysses S. Grant but failed soon afterward, losing money on a biography of Pope Leo XIII. Fewer than 200 copies were sold.[43]

Twain and his family closed down their expensive Hartford home in response to the dwindling income and moved to Europe in June 1891. William M. Laffan of The New York Sun and the McClure Newspaper Syndicate offered him the publication of a series of six European letters. Twain, Olivia, and their daughter Susy were all faced with health problems, and they believed that it would be of benefit to visit European baths.[44]:175 The family stayed mainly in France, Germany, and Italy until May 1895, with longer spells at Berlin (winter 1891/92), Florence (fall and winter 1892/93), and Paris (winters and springs 1893/94 and 1894/95). During that period, Twain returned four times to New York due to his enduring business troubles. He took "a cheap room" in September 1893 at $1.50 per day at The Players Club, which he had to keep until March 1894; meanwhile, he became "the Belle of New York," in the words of biographer Albert Bigelow Paine.[44]:176–190

Twain's writings and lectures enabled him to recover financially, combined with the help of a new friend.[45] In fall 1893, he began a friendship with financier Henry Huttleston Rogers, a principal of Standard Oil, that lasted the remainder of his life. Rogers first made him file for bankruptcy in April 1894, then had him transfer the copyrights on his written works to his wife to prevent creditors from gaining possession of them. Finally, Rogers took absolute charge of Twain's money until all his creditors were paid.[44]:188

Twain accepted an offer from Robert Sparrow Smythe[46] and embarked on a year-long, around the world lecture tour in July 1895[47] to pay off his creditors in full, although he was no longer under any legal obligation to do so.[48] It was a long, arduous journey and he was sick much of the time, mostly from a cold and a carbuncle. The first part of the itinerary took him across northern America to British Columbia, Canada, until the second half of August. For the second part, he sailed across the Pacific Ocean. His scheduled lecture in Honolulu, Hawaii had to be cancelled due to a cholera epidemic.[49][44]:188 Twain went on to Fiji, Australia, New Zealand, Sri Lanka, India, Mauritius, and South Africa. His three months in India became the centerpiece of his 712-page book Following the Equator. In the second half of July 1896, he sailed back to England, completing his circumnavigation of the world begun 14 months before.[44]:188

Twain and his family spent four more years in Europe, mainly in England and Austria (October 1897 to May 1899), with longer spells in London and Vienna. Clara had wished to study the piano under Theodor Leschetizky in Vienna.[44]:192–211 Unfortunately, Jean's health did not benefit from consulting with specialists in Vienna, the "City of Doctors".[citation needed] The family moved to London in spring 1899, following a lead by Poultney Bigelow who had a good experience being treated by Dr. Jonas Henrik Kellgren, a Swedish osteopathic practitioner in Belgravia. They were persuaded to spend the summer at Kellgren's sanatorium by the lake in the Swedish village of Sanna. Coming back in fall, they continued the treatment in London, until Twain was convinced by lengthy inquiries in America that similar osteopathic expertise was available there.[50]

In mid-1900, he was the guest of newspaper proprietor Hugh Gilzean-Reid at Dollis Hill House, located on the north side of London. Twain wrote that he had "never seen any place that was so satisfactorily situated, with its noble trees and stretch of country, and everything that went to make life delightful, and all within a biscuit's throw of the metropolis of the world."[51] He then returned to America in October 1900, having earned enough to pay off his debts. In winter 1900/01, he became his country's most prominent opponent of imperialism, raising the issue in his speeches, interviews, and writings. In January 1901, he began serving as vice-president of the Anti-Imperialist League of New York.[52]

Speaking engagements

Twain was in great demand as a featured speaker, performing solo humorous talks similar to modern stand-up comedy.[53] He gave paid talks to many men's clubs, including the Authors' Club, Beefsteak Club, Vagabonds, White Friars, and Monday Evening Club of Hartford.

In the late 1890s, he spoke to the Savage Club in London and was elected an honorary member. He was told that only three men had been so honored, including the Prince of Wales, and he replied: "Well, it must make the Prince feel mighty fine."[44]:197 He visited Melbourne and Sydney in 1895 as part of a world lecture tour. In 1897, he spoke to the Concordia Press Club in Vienna as a special guest, following the diplomat Charlemagne Tower, Jr. He delivered the speech "Die Schrecken der deutschen Sprache" ("The Horrors of the German Language")—in German—to the great amusement of the audience.[25]:50 In 1901, he was invited to speak at Princeton University's Cliosophic Literary Society, where he was made an honorary member.[54]

Canadian visits

In 1881, Twain was honored at a banquet in Montreal, Canada where he made reference to securing a copyright.[55] In 1883, he paid a brief visit to Ottawa,[56] and he visited Toronto twice in 1884 and 1885 on a reading tour with George Washington Cable, known as the "Twins of Genius" tour.[57][56][58]

The reason for the Toronto visits was to secure Canadian and British copyrights for his upcoming book Adventures of Huckleberry Finn,[58][56] to which he had alluded in his Montreal visit. The reason for the Ottawa visit had been to secure Canadian and British copyrights for Life on the Mississippi.[56] Publishers in Toronto had printed unauthorized editions of his books at the time, before an international copyright agreement was established in 1891.[56] These were sold in the United States as well as in Canada, depriving him of royalties. He estimated that Belford Brothers' edition of The Adventures of Tom Sawyer alone had cost him ten thousand dollars.[56] He had unsuccessfully attempted to secure the rights for The Prince and the Pauper in 1881, in conjunction with his Montreal trip.[56] Eventually, he received legal advice to register a copyright in Canada (for both Canada and Britain) prior to publishing in the United States, which would restrain the Canadian publishers from printing a version when the American edition was published.[58][56] There was a requirement that a copyright be registered to a Canadian resident; he addressed this by his short visits to the country.[58][56]

Later life and death

... the report is greatly exaggerated.
— Mark Twain when it was reported that he had died[59]

Twain lived in his later years at 14 West 10th Street in Manhattan.[60]

Twain passed through a period of deep depression which began in 1896 when his daughter Susy died of meningitis. Olivia's death in 1904 and Jean's on December 24, 1909, deepened his gloom.[1] On May 20, 1909, his close friend Henry Rogers died suddenly. In 1906, Twain began his autobiography in the North American Review. In April, he heard that his friend Ina Coolbrith had lost nearly all that she owned in the 1906 San Francisco earthquake, and he volunteered a few autographed portrait photographs to be sold for her benefit. To further aid Coolbrith, George Wharton James visited Twain in New York and arranged for a new portrait session. He was resistant initially, but he eventually admitted that four of the resulting images were the finest ones ever taken of him.[61]

Twain formed a club in 1906 for girls whom he viewed as surrogate granddaughters called the Angel Fish and Aquarium Club. The dozen or so members ranged in age from 10 to 16. He exchanged letters with his "Angel Fish" girls and invited them to concerts and the theatre and to play games. Twain wrote in 1908 that the club was his "life's chief delight".[25]:28 In 1907, he met Dorothy Quick (aged 11) on a transatlantic crossing, beginning "a friendship that was to last until the very day of his death".[62]

Oxford University awarded Twain an honorary doctorate in letters in 1907.

Twain was born two weeks after Halley's Comet's closest approach in 1835; he said in 1909:[44]

I came in with Halley's Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don't go out with Halley's Comet. The Almighty has said, no doubt: "Now here are these two unaccountable freaks; they came in together, they must go out together".

Twain's prediction was accurate; he died of a heart attack on April 21, 1910, in Redding, Connecticut, one day after the comet's closest approach to Earth.

Upon hearing of Twain's death, President William Howard Taft said:[63][64]

Mark Twain gave pleasure – real intellectual enjoyment – to millions, and his works will continue to give such pleasure to millions yet to come … His humor was American, but he was nearly as much appreciated by Englishmen and people of other countries as by his own countrymen. He has made an enduring part of American literature.

Twain's funeral was at the "Old Brick" Presbyterian Church in New York.[65] He is buried in his wife's family plot at Woodlawn Cemetery in Elmira, New York. The Langdon family plot is marked by a 12-foot monument (two fathoms, or "mark twain") placed there by his surviving daughter Clara.[66] There is also a smaller headstone. He expressed a preference for cremation (for example, in Life on the Mississippi), but he acknowledged that his surviving family would have the last word.

Officials in Connecticut and New York estimated the value of Twain's estate at $471,000 ($12,000,000 today).[67]

Writing

Overview

Twain began his career writing light, humorous verse, but he became a chronicler of the vanities, hypocrisies, and murderous acts of mankind. At mid-career, he combined rich humor, sturdy narrative, and social criticism in Huckleberry Finn. He was a master of rendering colloquial speech and helped to create and popularize a distinctive American literature built on American themes and language.

Many of his works have been suppressed at times for various reasons. The Adventures of Huckleberry Finn has been repeatedly restricted in American high schools, not least for its frequent use of the word "nigger",[citation needed] which was in common usage in the pre-Civil War period in which the novel was set.

A complete bibliography of Twain's works is nearly impossible to compile because of the vast number of pieces he wrote (often in obscure newspapers) and his use of several different pen names. Additionally, a large portion of his speeches and lectures have been lost or were not recorded; thus, the compilation of Twain's works is an ongoing process. Researchers rediscovered published material as recently as 1995 and 2015.[43][68]

Early journalism and travelogues

Twain was writing for the Virginia City newspaper the Territorial Enterprise in 1863 when he met lawyer Tom Fitch, editor of the competing newspaper Virginia Daily Union and known as the "silver-tongued orator of the Pacific".[69]:51 He credited Fitch with giving him his "first really profitable lesson" in writing. "When I first began to lecture, and in my earlier writings," Twain later commented, "my sole idea was to make comic capital out of everything I saw and heard."[70] In 1866, he presented his lecture on the Sandwich Islands to a crowd in Washoe City, Nevada.[71] Afterwards, Fitch told him:

Clemens, your lecture was magnificent. It was eloquent, moving, sincere. Never in my entire life have I listened to such a magnificent piece of descriptive narration. But you committed one unpardonable sin – the unpardonable sin. It is a sin you must never commit again. You closed a most eloquent description, by which you had keyed your audience up to a pitch of the intensest interest, with a piece of atrocious anti-climax which nullified all the really fine effect you had produced.[72]

It was in these days that Twain became a writer of the Sagebrush School; he was known later as the most notable within the genre.[73] His first important work was "The Celebrated Jumping Frog of Calaveras County," published in the New York Saturday Press on November 18, 1865. After a burst of popularity, the Sacramento Union commissioned him to write letters about his travel experiences. The first journey that he took for this job was to ride the steamer Ajax on its maiden voyage to the Sandwich Islands (Hawaii). All the while, he was writing letters to the newspaper that were meant for publishing, chronicling his experiences with humor. These letters proved to be the genesis to his work with the San Francisco Alta California newspaper, which designated him a traveling correspondent for a trip from San Francisco to New York City via the Panama isthmus.

On June 8, 1867, he set sail on the pleasure cruiser Quaker City for five months, and this trip resulted in The Innocents Abroad or The New Pilgrims' Progress. In 1872, he published his second piece of travel literature, Roughing It, as an account of his journey from Missouri to Nevada, his subsequent life in the American West, and his visit to Hawaii. The book lampoons American and Western society in the same way that Innocents critiqued the various countries of Europe and the Middle East. His next work was The Gilded Age: A Tale of Today, his first attempt at writing a novel. The book is also notable because it is his only collaboration, written with his neighbor Charles Dudley Warner.

Twain's next work drew on his experiences on the Mississippi River. Old Times on the Mississippi was a series of sketches published in the Atlantic Monthly in 1875 featuring his disillusionment with Romanticism.[74]Old Times eventually became the starting point for Life on the Mississippi.

Tom Sawyer and Huckleberry Finn

Twain's next major publication was The Adventures of Tom Sawyer, which draws on his youth in Hannibal. Tom Sawyer was modeled on Twain as a child, with traces of schoolmates John Briggs and Will Bowen.[citation needed] The book also introduces Huckleberry Finn in a supporting role, based on Twain's boyhood friend Tom Blankenship.

The Prince and the Pauper was not as well received, despite a storyline that is common in film and literature today. The book tells the story of two boys born on the same day who are physically identical, acting as a social commentary as the prince and pauper switch places. Twain had started Adventures of Huckleberry Finn (which he consistently had problems completing)[75] and had completed his travel book A Tramp Abroad, which describes his travels through central and southern Europe.

Twain's next major published work was the Adventures of Huckleberry Finn, which confirmed him as a noteworthy American writer. Some have called it the first Great American Novel, and the book has become required reading in many schools throughout the United States. Huckleberry Finn was an offshoot from Tom Sawyer and had a more serious tone than its predecessor. Four hundred manuscript pages were written in mid-1876, right after the publication of Tom Sawyer. The last fifth of Huckleberry Finn is subject to much controversy. Some say that Twain experienced a "failure of nerve," as critic Leo Marx puts it. Ernest Hemingway once said of Huckleberry Finn:

If you read it, you must stop where the Nigger Jim is stolen from the boys. That is the real end. The rest is just cheating.

Hemingway also wrote in the same essay:

All modern American literature comes from one book by Mark Twain called Huckleberry Finn.[76]

Near the completion of Huckleberry Finn, Twain wrote Life on the Mississippi, which is said to have heavily influenced the novel.[43] The travel work recounts Twain's memories and new experiences after a 22-year absence from the Mississippi River. In it, he also explains that "Mark Twain" was the call made when the boat was in safe water, indicating a depth of two fathoms (12 feet or 3.7 metres).

Later writing

Twain produced President Ulysses S. Grant's Memoirs through his fledgling publishing house, Charles L. Webster & Company, which he co-owned with Charles L. Webster, his nephew by marriage.[77]

At this time he also wrote "The Private History of a Campaign That Failed" for The Century Magazine. This piece detailed his two-week stint in a Confederate militia during the Civil War. He next focused on A Connecticut Yankee in King Arthur's Court, written with the same historical fiction style as The Prince and the Pauper. A Connecticut Yankee showed the absurdities of political and social norms by setting them in the court of King Arthur. The book was started in December 1885, then shelved a few months later until the summer of 1887, and eventually finished in the spring of 1889.[citation needed]

His next large-scale work was Pudd'nhead Wilson, which he wrote rapidly, as he was desperately trying to stave off bankruptcy. From November 12 to December 14, 1893, Twain wrote 60,000 words for the novel.[43] Critics[who?] have pointed to this rushed completion as the cause of the novel's rough organization and constant disruption of the plot. This novel also contains the tale of two boys born on the same day who switch positions in life, like The Prince and the Pauper. It was first published serially in Century Magazine and, when it was finally published in book form, Pudd'nhead Wilson appeared as the main title; however, the "subtitles" make the entire title read: The Tragedy of Pudd'nhead Wilson and the Comedy of The Extraordinary Twins.[43]

Twain's next venture was a work of straight fiction that he called Personal Recollections of Joan of Arc and dedicated to his wife. He had long said[where?] that this was the work that he was most proud of, despite the criticism that he received for it. The book had been a dream of his since childhood, and he claimed that he had found a manuscript detailing the life of Joan of Arc when he was an adolescent.[43] This was another piece that he was convinced would save his publishing company. His financial adviser Henry Huttleston Rogers quashed that idea and got Twain out of that business altogether, but the book was published nonetheless.[citation needed]

To pay the bills and keep his business projects afloat, Twain had begun to write articles and commentary furiously, with diminishing returns, but it was not enough. He filed for bankruptcy in 1894. During this time of dire financial straits, he published several literary reviews in newspapers to help make ends meet. He famously derided James Fenimore Cooper in his article detailing Cooper's "Literary Offenses". He became an extremely outspoken critic of other authors and other critics; he suggested that, before praising Cooper's work, Thomas Lounsbury, Brander Matthews, and Wilkie Collins "ought to have read some of it".[78]

George Eliot, Jane Austen, and Robert Louis Stevenson also fell under Twain's attack during this time period, beginning around 1890 and continuing until his death.[79] He outlines what he considers to be "quality writing" in several letters and essays, in addition to providing a source for the "tooth and claw" style of literary criticism. He places emphasis on concision, utility of word choice, and realism; he complains, for example, that Cooper's Deerslayer purports to be realistic but has several shortcomings. Ironically, several of his own works were later criticized for lack of continuity (Adventures of Huckleberry Finn) and organization (Pudd'nhead Wilson).

Twain's wife died in 1904 while the couple were staying at the Villa di Quarto in Florence. After some time had passed he published some works that his wife, his de facto editor and censor throughout her married life, had looked down upon. The Mysterious Stranger is perhaps the best known, depicting various visits of Satan to earth. This particular work was not published in Twain's lifetime. His manuscripts included three versions, written between 1897 and 1905: the so-called Hannibal, Eseldorf, and Print Shop versions. The resulting confusion led to extensive publication of a jumbled version, and only recently have the original versions become available as Twain wrote them.

Twain's last work was his autobiography, which he dictated and thought would be most entertaining if he went off on whims and tangents in non-chronological order. Some archivists and compilers have rearranged the biography into a more conventional form, thereby eliminating some of Twain's humor and the flow of the book. The first volume of the autobiography, over 736 pages, was published by the University of California in November 2010, 100 years after his death, as Twain wished.[80][81] It soon became an unexpected[82] best seller,[83] making Twain one of a very few authors publishing new best-selling volumes in the 19th, 20th, and 21st centuries.

Censorship

Twain's works have been subjected to censorship efforts. According to Stuart (2013), "Leading these banning campaigns, generally, were religious organizations or individuals in positions of influence – not so much working librarians, who had been instilled with that American "library spirit" which honored intellectual freedom (within bounds of course)". In 1905, the Brooklyn Public Library banned both The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer from the children's department because of their language.[84]

Views

Twain's views became more radical as he grew older. In a letter to friend and fellow writer William Dean Howells in 1887 he acknowledged that his views had changed and developed over his lifetime, referring to one of his favorite works:

When I finished Carlyle's French Revolution in 1871, I was a Girondin; every time I have read it since, I have read it differently – being influenced and changed, little by little, by life and environment ... and now I lay the book down once more, and recognize that I am a Sansculotte! And not a pale, characterless Sansculotte, but a Marat.[85][86]

Anti-imperialist

Before 1899, Twain was an ardent imperialist. In the late 1860s and early 1870s, he spoke out strongly in favor of American interests in the Hawaiian Islands.[87] He said the war with Spain in 1898 was "the worthiest" war ever fought.[88] In 1899, however, he reversed course. In the New York Herald, October 16, 1900, Twain describes his transformation and political awakening, in the context of the Philippine–American War, to anti-imperialism:

I wanted the American eagle to go screaming into the Pacific ... Why not spread its wings over the Philippines, I asked myself? ... I said to myself, Here are a people who have suffered for three centuries. We can make them as free as ourselves, give them a government and country of their own, put a miniature of the American Constitution afloat in the Pacific, start a brand new republic to take its place among the free nations of the world. It seemed to me a great task to which we had addressed ourselves.

But I have thought some more, since then, and I have read carefully the treaty of Paris [which ended the Spanish–American War], and I have seen that we do not intend to free, but to subjugate the people of the Philippines. We have gone there to conquer, not to redeem.

It should, it seems to me, be our pleasure and duty to make those people free, and let them deal with their own domestic questions in their own way. And so I am an anti-imperialist. I am opposed to having the eagle put its talons on any other land.[89][90]

During the Boxer rebellion, Mark Twain said that "the Boxer is a patriot. He loves his country better than he does the countries of other people. I wish him success."[91]

From 1901, soon after his return from Europe, until his death in 1910, Twain was vice-president of the American Anti-Imperialist League,[92] which opposed the annexation of the Philippines by the United States and had "tens of thousands of members".[34] He wrote many political pamphlets for the organization. The Incident in the Philippines, posthumously published in 1924, was in response to the Moro Crater Massacre, in which six hundred Moros were killed.[93] Many of his neglected and previously uncollected writings on anti-imperialism appeared for the first time in book form in 1992.[92]

Twain was critical of imperialism in other countries as well. In Following the Equator, Twain expresses "hatred and condemnation of imperialism of all stripes".[34] He was highly critical of European imperialists, notably Cecil Rhodes, who greatly expanded the British Empire, and Leopold II, King of the Belgians.[34]King Leopold's Soliloquy is a stinging political satire about his private colony, the Congo Free State. Reports of outrageous exploitation and grotesque abuses led to widespread international protest in the early 1900s, arguably the first large-scale human rights movement. In the soliloquy, the King argues that bringing Christianity to the country outweighs a little starvation. Leopold's rubber gatherers were tortured, maimed and slaughtered until the movement forced Brussels to call a halt.[94][95]

During the Philippine–American War, Twain wrote a short pacifist story titled The War Prayer, which makes the point that humanism and Christianity's preaching of love are incompatible with the conduct of war. It was submitted to Harper's Bazaar for publication, but on March 22, 1905, the magazine rejected the story as "not quite suited to a woman's magazine". Eight days later, Twain wrote to his friend Daniel Carter Beard, to whom he had read the story, "I don't think the prayer will be published in my time. None but the dead are permitted to tell the truth." Because he had an exclusive contract with Harper & Brothers, Twain could not publish The War Prayer elsewhere; it remained unpublished until 1923. It was republished as campaigning material by Vietnam War protesters.[34]

Twain acknowledged that he had originally sympathized with the more moderate Girondins of the French Revolution and then shifted his sympathies to the more radical Sansculottes, indeed identifying himself as "a Marat". Twain supported the revolutionaries in Russia against the reformists, arguing that the Tsar must be got rid of by violent means, because peaceful ones would not work.[96] He summed up his views of revolutions in the following statement:

I am said to be a revolutionist in my sympathies, by birth, by breeding and by principle. I am always on the side of the revolutionists, because there never was a revolution unless there were some oppressive and intolerable conditions against which to revolute.[97]

Civil rights

Twain was an adamant supporter of the abolition of slavery and the emancipation of slaves, even going so far as to say, "Lincoln's Proclamation ... not only set the black slaves free, but set the white man free also".[98] He argued that non-whites did not receive justice in the United States, once saying, "I have seen Chinamen abused and maltreated in all the mean, cowardly ways possible to the invention of a degraded nature ... but I never saw a Chinaman righted in a court of justice for wrongs thus done to him".[99] He paid for at least one black person to attend Yale Law School and for another black person to attend a southern university to become a minister.[100]

Twain's sympathetic views on race were not reflected in his early writings on American Indians. Of them, Twain wrote in 1870:

Twain house in Hartford, Connecticut
Library of Twain House, with hand-stenciled paneling, fireplaces from India, embossed wallpaper, and hand-carved mantel from Scotland
Plaque on Sydney Writers Walk commemorating the visit of Mark Twain in 1895
Mark Twain in his gown (scarlet with grey sleeves and facings) for his D.Litt. degree, awarded to him by Oxford University

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